Under the direction of Cecilia De Torres
Assisted by Susanna V. Temkin, Madeline Murphy Turner, and Victoria L. Fedrigotti
Catalogue Entry
1929.62
Untitled Composition
1929
Oil on canvas
23 5/8 x 28 3/4 in. (60.01 x 73.03 cm)
Signed upper left: J. Torrès-GARCIA; dated upper right: 29
Provenance
Exhibitions
Galerie Percier, Paris, Peintures de J. Torrès-García, November 30–December 12, 1931.
Museum of Modern Art, New York, Joaquín Torres-García: The Arcadian Modern, October 25, 2015–February 15, 2016, ill., p. 83. Traveled to: Fundación Telefónica, Madrid, May 16–September 11, 2016; Museo Picasso, Málaga, Spain, October 10, 2016–January 29, 2017.
Published References
Barbagelata, Hugo D. "Joaquín Torres García: un pintor uruguayo olvidado." Suplemento. Imparcial (Montevideo), May 30, 1930, ill.
Guéguen, Pierre. "Les exposition à Paris et ailleurs." Cahiers d'Art (Paris) vol. 6, no. 9-10 (1931), ill.
Ferrari, Francesca. "Eroding 'Material Perfection:' Layered Surfaces and Composite Constructions in Joaquín Torres-García's New York Work, 1920-22." Yale University Art Gallery Bulletin 2020–2021: The Société Anonyme at 100. New Haven, CT: Yale University Art Gallery, 2022, Fig. 2, ill. p. 21, as Untitled Composition.
Record last updated October 20, 2015. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: de Torres, Cecilia, Susanna V. Temkin, Madeline Murphy Turner, and Victoria L. Fedrigotti. "Untitled Composition, 1929 (1929.62)." In Joaquín Torres-García Catalogue Raisonné. www.torresgarcia.com/catalogue/entry.php?id=946 (accessed on April 29, 2025).