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Under the direction of Cecilia De Torres
Assisted by Susanna V. Temkin, Madeline Murphy Turner, and Victoria L. Fedrigotti
Catalogue Entry
1929.62
Untitled Composition
1929
Oil on canvas
23 5/8 x 28 3/4 in. (60.01 x 73.03 cm)
Signed upper left: J. Torrès-GARCIA; dated upper right: 29
Provenance
Jacques Lipchitz, Paris
Estate of Jacques Lipchitz
Mary-Anne Martin Fine Art, New York
National Gallery of Art, Washington D.C.
Exhibitions
1931 Galerie Percier
Galerie Percier, Paris, Peintures de J. Torrès-García, November 30–December 12, 1931.2015–2016 Museum of Modern Art
Museum of Modern Art, New York, Joaquín Torres-García: The Arcadian Modern, October 25, 2015–February 15, 2016, ill., p. 83. Traveled to: Fundación Telefónica, Madrid, May 16–September 11, 2016; Museo Picasso, Málaga, Spain, October 10, 2016–January 29, 2017.Published References
Barbagelata 1930
Barbagelata, Hugo D. "Joaquín Torres García: un pintor uruguayo olvidado." Suplemento. Imparcial (Montevideo), May 30, 1930, ill.Brezekowski 1930
Brezekowski, Jan. Sztuka Wspokczzesna (Contemporary Art) 1930, ill.Guéguen 1931
Guéguen, Pierre. "Les exposition à Paris et ailleurs." Cahiers d'Art (Paris) vol. 6, no. 9-10 (1931), ill.Ferrari 2022a
Ferrari, Francesca. "Eroding 'Material Perfection:' Layered Surfaces and Composite Constructions in Joaquín Torres-García's New York Work, 1920-22." Yale University Art Gallery Bulletin 2020–2021: The Société Anonyme at 100. New Haven, CT: Yale University Art Gallery, 2022, Fig. 2, ill. p. 21, as Untitled Composition.Record last updated October 20, 2015. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: de Torres, Cecilia, Susanna V. Temkin, Madeline Murphy Turner, and Victoria L. Fedrigotti. "Untitled Composition, 1929 (1929.62)." In Joaquín Torres-García Catalogue Raisonné. www.torresgarcia.com/catalogue/entry.php?id=946 (accessed on April 29, 2025).