Under the direction of Cecilia De Torres
Assisted by Susanna V. Temkin, Madeline Murphy Turner, and Victoria L. Fedrigotti
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1931.91 (estate: 1043)
Formas superpuestas
1931
Oil on wood
11 1/4 x 8 1/4 in. (28.5 x 21 cm)
Signed and dated verso: J. Torres-GARCIA 31
Private collection, Paris
Provenance
Private collection
Private collection, Paris
Private collection, Paris
Exhibitions
Hayward Gallery, London, Torres-García: Grid-Pattern-Sign: Paris-Montevideo 1924-1944, November 14, 1985–February 23, 1986, no. 35, ill., p. 42. Traveled to: Fundació Joan Miró, Barcelona, Spain, March 13–May 4, 1986; Stadtische Kunsthalle Dusseldorf, Germany, June 28–August 17, 1986; Center for the Fine Arts, Miami, September 14–November 9, 1986; Museum of Fine Arts Houston, Texas, February 14–April 5, 1987.
Galerie Marwan Hoss, Paris, Hommage a Torres-García: Oeuvres de 1928 à 1948, May 30–July 20, 1990, ill., p. 50.
The Menil Collection, Houston, Joaquín Torres-García: Constructing Abstraction with Wood, September 25, 2009–January 3, 2010. (Ramírez 2009); (The Menil Collection 2010), no. 68, ill., p. 70. Traveled to: San Diego Museum of Art, San Diego, February 20–May 3, 2010.
Record last updated April 8, 2015. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: de Torres, Cecilia, Susanna V. Temkin, Madeline Murphy Turner, and Victoria L. Fedrigotti. "Formas superpuestas, 1931 (1931.91)." In Joaquín Torres-García Catalogue Raisonné. www.torresgarcia.com/catalogue/entry.php?id=1294 (accessed on June 28, 2025).