Under the direction of Cecilia De Torres
Assisted by Susanna V. Temkin, Madeline Murphy Turner, and Victoria L. Fedrigotti
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Classification: Painting
Medium: Oil
Support: On canvas
Year: 1932
1932.67 (estate: 525)
Composition symétrique en rouge et blanc
Alternate title: Composición simétrica en rojo y blanco
1932
Oil on canvas
51 5/8 x 27 3/16 in. (131 x 69 cm)
Signed lower left: J.Torres-GARCIA; dated lower right: 32
Private collection, Houston
Provenance
Private collection, Houston
Exhibitions
Subte Municipal, Montevideo, Uruguay, Exposición Homenaje a Torres García, 1955.
V São Paulo Bienal, Brazil, Sala Torres-García, September–December 1959, no. 8. Traveled to: Centro de Artes y Letras de El País, Montevideo, Uruguay, March 21–April 17, 1960.
Museo Torres-García, Montevideo, Uruguay, Selección de cuadros y maderas, July 28–October 31, 1967, no. 13, ill.
The National Gallery of Canada, Ottawa, Joaquín Torres García 1874-1949, October 2–November 1, 1970, no. 24, ill., p. 57. Traveled to: The Solomon R. Guggenheim Museum, New York, December 12, 1970–January 31, 1971; Rhode Island School of Design, Providence, February 16–March 31, 1971.
Museo Español de Arte Contemporáneo, Madrid, Exposición Antológica Torres-García, April–May 1973, no. 79. Traveled to: Museo de Arte Moderno, Barcelona, Spain, June 1973.
Meredith Long & Company, Houston, Works by Joaquín Torres-García 1874-1949, April 14–30, 1977, no. 525, ill. Traveled to: Meredith Long Contemporary, New York, November 12–December 1, 1977.
Hayward Gallery, London, Torres-García: Grid-Pattern-Sign: Paris-Montevideo 1924-1944, November 14, 1985–February 23, 1986, no. 50, ill., p. 45. Traveled to: Fundació Joan Miró, Barcelona, Spain, March 13–May 4, 1986; Stadtische Kunsthalle Dusseldorf, Germany, June 28–August 17, 1986; Center for the Fine Arts, Miami, September 14–November 9, 1986; Museum of Fine Arts Houston, Texas, February 14–April 5, 1987.
Musee de Art Moderne de la Ville de Paris, Paris, Le siècle de Picasso, October 1987–January 1988, no. 54, ill., p. 108. Traveled to: Museo Nacional Centro de Arte Reina Sofía, Madrid, January 29–March 13, 1988.
Museum of Fine Arts Houston, Texas, The Private Eye, June 11–August 13, 1989.
Museo Nacional Centro de Arte Reina Sofía, Madrid, J. Torres-García, June 18–August 21, 1991, no. 81, ill., p. 123. Traveled to: Institut Valencià d'Art Modern (IVAM) Centre Julio González, Spain, September 5–November 10, 1991.
Centre Georges Pompidou, Paris, Art d'Amérique latine: 1911- 1968, November 12, 1992–January 11, 1993, ill., p. 329.
Museum Ludwig, Cologne, Latinamerikanische Kunst im 20 Jahrhundert, February 8–April 25, 1993, ill., p. 152.
Museum of Fine Arts Houston, Texas, Joaquín Torres-García: Paintings in Houston Collections, September 6–November 29, 2009.
Museum of Fine Arts Houston, Texas, Cosmopolitan Routes: Houston Collects Latin American Art, October 24, 2010–February 6, 2011, ill., p. 25, plate 3.
The University of Texas at Austin, Blanton Museum of Art, Texas, Through the Eyes of Texas: Masterworks from Alumni Collections, February 24–May 19, 2013, ill., p. 86.
Published References
Torres-García, Joaquín. Universalismo Constructivo. Buenos Aires: Poseidón, 1944, ill.
de Torre, Guillermo. 37 Obras Comprendidas en el Período 1929-1947. Montevideo: Museo Torres García, 1959, ill. no. 20, Dated 1931.
Torrens, Maria Luisa. "Significación del Taller Torres García." El País (Montevideo), 1959, ill.
Torroella, Santos. "Con Mondrian al Fondo." "Extraordinario Dedicado al Pintor Torres-García." Mundo Hispánico (Madrid), no. 326 (May 1975), ill. p. 69.
Bozal, Valeriano. Pinturas y esculturas Españolas del siglo XX (1900-1939). Summa Artis, Historia General del Arte. Vol. XXXVI. Madrid: Espasa Calipe, 1992, ill. p. 534.
Braun, Barbara. "Joaquín Torres-García: The Alchemical Grid." In Pre-Columbian Art and the Post-Columbian World, Ancient American Sources of Modern Art. New York: Harry N. Abrams, 1993, ill. p. 267.
Paloma Esteban Leal. Benjamín Palencia y el arte nuevo: obras 1919-1936. Valencia: Bancaja, 1994. Exhibition catalogue, ill. p. 28, as Composition symétrique en rouge et blanc.
Gradowczyk, Mario H. "Torres García y Xul Solar: ¿Alegoría o Simbolismo?" Criterio año LXVIII, no. 2164 (October 26, 1995), ill. p. 591.
Maslach, Adolfo. Joaquín Torres-García: sol y luna del arcano. Caracas: UNESCO, 1998, ill. detail p. 354, no. 206.
Gradowczyk, Mario H. Torres-García: Utopía y Transgresión. Montevideo: Fundación Torres-García, 2007. Exhibition catalogue, ill. p. 236, no. 6.82.
Bozal, Valeriano. Historia de la pintura y la escultura del siglo XX en España - Vol. I: 1900-1939. Madrid: Antonio Machado, 2013, p. 170, as Composición simétrica en rojo y blanco.
Record last updated May 9, 2015. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: de Torres, Cecilia, Susanna V. Temkin, Madeline Murphy Turner, and Victoria L. Fedrigotti. "Composition symétrique en rouge et blanc, 1932 (1932.67)." In Joaquín Torres-García Catalogue Raisonné. www.torresgarcia.com/catalogue/entry.php?id=1130 (accessed on July 14, 2025).