Under the direction of Cecilia De Torres
Assisted by Susanna V. Temkin, Madeline Murphy Turner, and Victoria L. Fedrigotti
1932.03
Composition
1932
Oil on canvas
25 1/2 x 21 1/2 in. (64.8 x 54.6 cm)
Signed and dated lower center: J. Torres-GARCIA 32
Exhibitions
Gallery of Living Art, New York, The A.E Gallatin Collection, December 1933, ill., p. 124, as Composition.
The American Federation of Arts, New York, Artists as Collectors, November 1959–1960, no. 35.
Williams College Museum of Art, Suzy Frelinghuysen & George L. K. Morris, American Abstract Artists: Aspects of Their Work & Collection, June 6–October 25, 1992. Traveled to: The Art Museum, Princeton University, Princeton, New Jersey, November 14, 1992–January 31, 1993; Hunter Museum of Art, Chattanooga, Tennessee, February 14–April 11, 1993.
Newark Museum, New Jersey, Constructive Spirit: Abstract Art in South and North America: 1920s-50s, February 17–May 23, 2010. (Newark Museum 2010), ill., p. 66, plate 22. Traveled to: Amon Carter Museum, Fort Worth, Texas, June 26–September 5, 2010.
Published References
Kosice, Gyula. "Non-figurative art trends in Latin American Art." In The World of Abstract Art. New York: Wittenborn, 1957, ill. p. 79.
Record last updated April 28, 2015. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: de Torres, Cecilia, Susanna V. Temkin, Madeline Murphy Turner, and Victoria L. Fedrigotti. "Composition, 1932 (1932.03)." In Joaquín Torres-García Catalogue Raisonné. www.torresgarcia.com/catalogue/entry.php?id=1113 (accessed on April 28, 2025).