Credits and Acknowledgements

Construcci?n en blanco, 1931 (1931.33)
  

Authors
Cecilia de Torres
Susanna V. Temkin

Project Manager
Dan Pollock

Database and Site Design
panOpticon:
Roger Shepherd, Susannah Shepherd

with assistance from
Melanie Breitman, Carlos Serra, Madeline Murphy Turner; & previously: Angeles Jaso, Mariana Morrison, Agustin Pereyra, Loli Pire-Schmidt, Gustavo Serra

 

Special thanks to Mari Carmen Ramirez and to Bernard Chappard; to the Catalogue Raisonné Scholars Association, and its president, Katy Rodgers; Edward J. Sullivan, IFA/NYU; Axel Stein & Sotheby’s; Virgilio Garza & Christie’s; and the legal counsel of Jim Feldman, Robert Bernstein, and Peter Jaszi.

Our thanks are extended to museum directors, curators, gallery directors, registrars, and research assistants across the globe who have provided us with information and research pertaining to the works in their collections.  Thanks to: 

Collection Albright-Knox Art Gallery, Buffalo, New York; The Art Institute of Chicago; Art Museum of the Americas, Washington, D.C.; The Blanton Museum University of Texas at Austin; Brillembourg Capriles Collection of Latin American Art; Gabriella Perez of CDS Gallery; Cisneros Fontanals Art Foundation; Dallas Museum of Art; Patricia Phelps de Cisneros Collection; Frelinghuysen Morris House & Studio, Lenox, MA; Gary Nader Art Centre; Georgia Museum of Art; Solomon R. Guggenheim Museum, New York; Collection of Diane and Bruce Halle, Scottsdale, Arizona; Hirshhorn Museum and Sculpture Garden, Smithsonian Institution; Mitchel Innes & Nash, New York; Martha Kohen; Los Angeles County Museum of Art; Manny Silverman Gallery, Los Angeles; Marianne Manley, Elrick-Manley Fine Art; Mary-Anne Martin Fine Art, New York; Shaina Larrivee, The Isamu Noguchi Catalogue Raisonné; Hoang Tran of Pennsylvania Academy of the Fine Arts; Museum of Art, Rhode Island School of Design; Museum of Fine Arts Houston; The Museum of Modern Art, New York; National Gallery of Art, Washington D.C.; New York University, Grey Art Gallery; Pérez Art Museum, Miami; Maria Carlota Perez; Philadelphia Museum of Art; Genie Robbins; Sammer Gallery, Miami; Samuel P. Harn Museum of Art, Gainesville; Santa Barbara Museum of Art; San Francisco Museum of Modern Art; Andreas Timmer; Jane A. Callahan, Wellesley College; Williams College Museum of Art, Williamstown, MA.; and Yale University Art Gallery, New Haven.

In Spain: Museo Abelló; Archivo de l'Institut d'Estudis Catalans; Galería Artepaso; Museu d'Art Contemporani; Ramon Arús, Instituto Ametller de Arte; Galería Barbié; Museo de Bellas Artes de Bilbao; Biblioteca de Arte Catalunya; Caixa Galicia, La Coruna; Museo Carmen Thyssen-Bornemisza; Carme Colell; Galería Daniel Cardani; Centre Cultural Terrassa; Fundación Cultural de la Caixa de Terrassa; Sala Dalmau; Galería Fandos; Galería Frances Mestre Art; Fundación Francisco Godia, Barcelona; Instituto de crédito oficial (ICO), Madrid ; Instituto Histórico Cultural y Museo de Bellas Artes, San José, Uruguay; Institut Valencià d'Art Modern; Nuria Llorens;Fundació Joan Miró, Barcelona; Museo de Arte Contemporáneo Español; Galería Manel Mayoral; Museu de Montserrat; Museu Nacional d'Art de Catalunya; Museo Nacional Centro de Arte Reina Sofía; Maria Barbara Marchi, Cercle Artistic de Sant Lluc; Museu de Monserrat; Galería Leandro Navarro; Oriol Galeria d'Art;Galería Guillermo de Osma; Sala Pares; Palau de la Generalitat; Museo Patio Herreriano;Galería Artur Ramon; Paco Rebés; Carmen Schjaer; Galería Senda; Fundación Telefónica; and Museu de Terrassa. 

In France: Laure Collignon, Picasso Archives; Marie Aline Prat; Margit Rowell; Didier Schulman, Musée National d'Arte Moderne, Centre Georges Pompidou; Galerie Jaeger Bucher; Lille Metropole Musee d'art contemporain et d'art brut, Villeneuve d'Ascq, France; Sophie Krebs, Musée d’Art Moderne de la Ville de Paris; Juan Alvarez Marquez; Musée des Beaux-Arts de Dijon; Musée des Beaux-Arts de Nantes; Musée de Grenoble, France; and Musée d'Art Moderne, Saint-Etienne.

In Europe: Berardo Collection, Lisbon; Daros Latinamerica Collection; Fundação Calouste Gulbenkian/ Centro de Arte Moderno, Lisbon; Galerie Gmurzynska; Museum Ludwig, Cologne; Katoennatie HeadquARTers, Antwerp; The Israel Museum; Stedelijk Museum, Amsterdam;  Uffizi Gallery, Florence; and Winterthur Kunstmuseum, Switzerland. 

In Montevideo: Alejandro Diaz, Museo Torres-García; Banco Republica, Urugay; Museo de Bellas Artes Juan Manuel Blanes; Museo Nacional de Artes Visuales; Museo Juan Manuel Blanes; Galería Oscar Prato; Martin Cerruti; Galería Sur; and Galería de las Misiones.

In Buenos Aires: Jorge Payró, Debbie Frydman; Museo de Arte Latinoamericano de Buenos Aires; Fundación Federico Klemm; Maria José Herrera; Museo Nacional de Bellas Artes de Buenos Aires; Museo Provincial de Bellas Artes "Rosa Galisteo de Rodríguez", Santa Fe; GaleríaPalatina; and Sociedad Argentina de Escritores. 

In South America: Dan Galería; Colección de Arte Banco de la Republica, Colombia; FEMSA Collection, Monterrey, Mexico; Galería López Quiroga, Mexico City; Ortiz-Gurdian Collection, Nicaragua; Museo de Bellas Artes de Caracas; Museo Rufino Tamayo; Museu de Arte São Paulo; and Museo de la Solidaridad Salvador Allende, Chile.

Finally, we wish to thank all the collectors that wish to remain anonymous, but whose cooperation has contributed to the success of the project.

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